Photo credit: movieweb.com

Exploring the Contrast of Critiques by Gene Siskel and Roger Ebert

Gene Siskel and Roger Ebert, two of the most influential film critics in history, shared a deep passion for cinema that transcended rivalry. While both critics had their unique perspectives, they chose collaboration over conflict, co-hosting numerous shows such as Sneak Previews, At the Movies, and Siskel & Ebert & the Movies. Their distinctive voices shaped public perception of films through their insightful reviews, despite sometimes holding opposing views.

Notably, their disagreements often sparked memorable debates, particularly when they summarized films with their famous “Thumbs Up” or “Thumbs Down” ratings. This tension highlighted their objective critiques, grounded in their shared love for film, allowing audiences to appreciate different perspectives on various releases.

‘Full Metal Jacket’ (1987)

Release Date: July 10, 1987

Runtime: 116 minutes

Producers: Jan Harlan

Full Metal Jacket is regarded as a gripping representation of military life, set against the backdrop of the Vietnam War. The film begins at the U.S. Marine Corps boot camp, where Private “Gomer Pyle” Lawrence, portrayed by Vincent D’Onofrio, faces brutal treatment from his drill sergeant, Hartman (Lee R. Emery). The narrative shifts to the chaos of Vietnam, intensifying the impact of the story.

One of Stanley Kubrick’s Best Efforts

The interplay between D’Onofrio and Emery successfully captures the essence of authority and rebellion. Ebert noted the film’s unconventional structure, deeming it “strangely shapeless,” which contrasted with other war films like Platoon and The Deer Hunter. This opinion frustrated Siskel, who defended the film on their show, labeling Ebert’s preference for Benji the Hunted over Full Metal Jacket as “crazy.”

‘The Big Lebowski’ (1998)

Release Date: March 6, 1998

Runtime: 117 minutes

The Big Lebowski follows the misadventures of slacker Jeffrey “The Dude” Lebowski, played by Jeff Bridges, who becomes embroiled in a complex plot involving mistaken identity and a stolen rug. The film’s unique blend of comedy and noir has led it to achieve cult status over the years.

Another Coen Brothers Hit

Upon its initial release, reactions to The Big Lebowski were mixed, but it has since been celebrated for its quirky humor and memorable characters. Ebert’s three-star review described it as “weirdly engaging,” while Siskel found it “uninspiring.”

‘Blue Velvet’ (1986)

Release Date: January 1, 1986

Runtime: 120 minutes

Blue Velvet unveils a dark undercurrent in a seemingly idyllic American town. When Jeffrey (Kyle MacLachlan) discovers a severed ear, he delves into a disturbing investigation involving nightclub singer Dorothy (Isabella Rossellini) and her tormentor.

No Lynching for Lynch

David Lynch’s film received critical acclaim for its bold cinematography and storytelling, earning Lynch an Oscar nomination. However, Ebert expressed concerns about coherence, stating, “the movie pulls itself apart.” Conversely, Siskel recognized it as one of the top films of 1986.

‘Scarface’ (1983)

Release Date: December 9, 1983

Runtime: 170 minutes

Scarface tells the story of Tony Montana (Al Pacino), a Cuban immigrant who ascends to the heights of Miami’s drug underworld only to face dramatic consequences. The film is noted for its intense violence and memorable quotes.

Violence Over Substance?

While Siskel criticized Montana as “one of cinema’s most boring characters,” arguing that the film relied heavily on violence, Ebert defended it, emphasizing authenticity in its portrayal of criminals.

‘The Silence of the Lambs’ (1991)

Release Date: August 20, 1991

Runtime: 118 minutes

In The Silence of the Lambs, the terrifying Dr. Hannibal Lecter (Anthony Hopkins) manipulates FBI trainee Clarice Starling (Jodie Foster), as she seeks his insights to catch another serial killer.

The Fifth-Highest-Grossing Film of 1991

The film is noted for its suspense and character depth. Ebert celebrated its chilling presence, while Siskel felt Foster’s character was overshadowed by Lecter’s dominance.

‘Apocalypse Now’ (1979)

Release Date: August 15, 1979

Runtime: 153 minutes

Apocalypse Now portrays the harrowing journey of Captain Willard (Martin Sheen), sent to terminate Colonel Kurtz (Marlon Brando), who has gone rogue amidst the Vietnam War.

Another Fun Brando-Coppola Collaboration

Despite its troubled production, the film is visually stunning and deep in its contemplation of war. Ebert hailed it as a masterpiece, whereas Siskel criticized its convoluted ending.

‘Unforgiven’ (1992)

Release Date: August 7, 1992

Runtime: 130 minutes

Writers: David Webb Peoples

Unforgiven follows the aging gunslinger William Munny (Clint Eastwood) as he seeks retribution for an act of violence against a sex worker. This revisionist Western gained critical acclaim.

A Deserving Best Picture Winner

Eastwood’s film captures moral ambiguity against the uniqueness of its genre. While Ebert praised its exploration of good versus evil, Siskel described it as “too long with pointless eccentric characters.”

‘Friday the 13th Part VI: Jason Lives’ (1986)

Release Date: August 1, 1986

Runtime: 89 minutes

The sixth film of the franchise deepens the lore surrounding Jason Voorhees, merging horror and humor as Tommy Jarvis (Thom Mathews) seeks to destroy the killer, who returns with undead powers.

Jason, Like We’ve Never Seen Him Before

Ebert found joy in this blend of humor and thrills, while Siskel lamented its repetitive storyline compared to previous installments.

‘Die Hard’ (1988)

Release Date: July 15, 1988

Runtime: 132 minutes

Die Hard presents NYPD officer John McClane (Bruce Willis) battling terrorists during a Christmas Eve office party hostage situation.

A Christmastime Essential

With iconic moments and tense encounters, the film has earned classic status. Ebert’s critique highlighted inconsistencies in character roles, while Siskel praised Willis’s performance.

‘Out of Sight’ (1998)

Release Date: June 26, 1998

Runtime: 123 minutes

The film follows Jack Foley (George Clooney), a bank robber, who becomes romantically entangled with federal marshal Karen Sisco (Jennifer Lopez) after a prison release.

Out of Comprehension

This caper film is noted for its witty script and strong performances, particularly from Clooney. Ebert praised the film’s execution, while Siskel struggled with its narrative clarity.

Source
movieweb.com