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The Transformative Power of Collecting Black Art: Insights from Curator Racquel Chevremont
Racquel Chevremont’s journey in the art world began with a realization: she wanted to curate a collection that reflected her identity and the diverse narratives within contemporary art. Her early observations revealed a gap in the representation of artists, particularly those from Black backgrounds. This motivated her to take active steps, including joining a museum’s acquisitions committee.
As an art curator and advisor, Chevremont has cultivated a reputation for sourcing artworks for various platforms, including museums and film projects. Her New York home is a testament to her passion for art, showcasing around “70 or 80” pieces that predominantly feature works by Black artists. Some notable artists represented in her collection include Lorna Simpson, Glenn Ligon, Lynette Yiadom-Boakye, Deborah Roberts, and Toyin Ojih Odutola.
The Importance of Representation
Chevremont highlights the value of maintaining a collection of Black art in the home. “You pass it on. You create this legacy. If you have children, having art that they can connect to promotes self-esteem and self-expression,” she shares. In her view, children benefit immensely from seeing images that reflect their heritage within their living spaces, rather than just seeing themselves in photographs. While progress has been made in recent years, she notes that museums still lack adequate representation of Black artists compared to other demographics.
Navigating the Art Collecting Landscape
For those interested in starting their own collections but feeling apprehensive, Chevremont offers valuable advice. She acknowledges that the initial experience can be daunting, particularly when navigating gallery environments. “When I first started collecting, I noticed that my inquiries often seemed to annoy gallery staff. It felt like any pieces I showed interest in were mysteriously sold,” she recalls. To combat these feelings of intimidation, she encourages collectors to take proactive measures.
“Don’t let intimidation hold you back. Enter galleries with confidence; if you encounter challenges, the internet provides a straightforward way to connect with artists directly. Don’t hesitate to reach out—express your appreciation for their work and inquire about future shows,” Chevremont recommends.
Engagement and Community Building
Chevremont also suggests joining young collectors’ committees offered by many museums, which often have affordable membership options. These platforms facilitate connections among aspiring collectors and provide educational events. “When you meet artists, ask them for recommendations on others to explore,” she advises. The accessibility of online resources allows potential collectors to discover a wide array of artists and styles. Attending art fairs can also be an enriching experience, despite the intimidating price tags associated with larger events. Chevremont encourages visiting smaller art fairs, such as Untitled in Miami, to uncover emerging talent and gain insights into the contemporary art scene.
Chevremont’s journey in art collecting reflects a commitment to fostering diversity and building a sustainable future for upcoming artists. Her insights not only empower fellow collectors but also contribute to a broader dialogue on representation in the art world.
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