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A new play spotlighting OpenAI’s turmoil
Recently, I attended a performance of Doomers, a thought-provoking play crafted by Matthew Gasda that delves into the controversial events surrounding the attempted coup at OpenAI in 2023. In the production, the fictional company MindMesh serves as a stand-in for OpenAI, creating a narrative framework to explore this critical moment in tech history. The setting primarily unfolds in a meeting room, where the first act captures the tense aftermath of the ousting of the company’s CEO, Seth—echoing the real-life figure of Sam Altman. The second act shifts focus to the intricate negotiations that ultimately dictated Seth’s future. While this play aims to encapsulate the current climate of frenzy surrounding AI in Silicon Valley, the rapid exchanges and intense dialogue sometimes veer into an overwhelming complexity that can obscure the core message.
Innovative culinary explorations
The diversity inherent in Chinese cuisine makes it difficult to pigeonhole into specific categories. Even in a city abundant with culinary choices, I find myself gravitating towards cooking. This endeavor is not merely about recreating familiar flavors but also about crafting a sense of belonging that transcends my personal experiences. Recently, I embarked on culinary experiments that blend traditional Chinese elements with modern flair. For instance, I’ve been putting a unique spin on the charcuterie board by incorporating toasted steamed buns, known as mantou, paired with furu—a fermented tofu spread that embodies sharpness, pungency, and a rich umami profile. This combination not only highlights the adaptability of Chinese cuisine but also reflects my journey in tasting and experiencing new flavors.
The art of DIY fashion
My journey into sewing began three years ago, but it wasn’t until the past year that I started creating garments entirely from scratch. As an aficionado of vintage styles, especially from the ’80s, I initially relied on vintage patterns sourced from Etsy. Recently, I ventured into an exciting new project: replicating a cherished dress I thrifted in Beijing years ago. This process is akin to reverse-engineering—carefully pinning the original garment, tracing its seams, deconstructing its construction, and ultimately reconstructing it anew. At times, tackling this project feels overwhelming, akin to a computer reaching its processing limits when faced with complex tasks. Yet, when successful, the experience resembles a small miracle—an affirmation of the certainty that initially drew me to the world of fashion. It provides me with the opportunity to create pieces that resonate as extensions of my identity.
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www.technologyreview.com