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Alan Moore Discusses the Intersection of Magic and Superheroes in His Latest Work

Alan Moore, the celebrated author known for groundbreaking works like Watchmen and V for Vendetta, continues to captivate audiences with his imagination and insights. His latest release, The Moon and Serpent Bumper Book of Magic, seeks to inspire readers to engage with the concept of magic in a profound way.

This expansive tome, which spans over 400 pages and was co-authored with the late Steve Moore, presents an engaging mix of historical context, practical techniques, comic-style biographical sketches of notable magical figures through the ages, and reflections on the nature of magic itself. Published under IDW’s Top Shelf Productions, the book invites readers to explore ritual magic and its connection to modern consciousness.

In an email conversation with PW, Moore explored the relationships between his dual interests in superhero mythology and ritual magic.

Superheroes and Magic: A Complex Relationship

Moore’s career in comics began in the humor and science fiction genres, but he ultimately became synonymous with the superhero narrative. He reflects on how this shift occurred through his experiences in the American comics scene of the early 1980s. Despite his profound contributions to superhero storytelling, Moore clarifies that his connection to superheroes is not one of personal fondness. Over the years, he has seen them as a cultural hindrance rather than a boon.

In contrast, he perceives a stronger link between the comic strip format and the exploration of occult consciousness. Citing a Pentagon study from the 1980s, Moore notes that the combination of visuals and text in comics may be particularly effective in conveying complex ideas, engaging both the right and left hemispheres of the brain simultaneously.

Magic’s Misconceptions

Traditionally, magic is often thought of as an external force employed to manipulate the world. However, Moore’s work elucidates that its primary function is one of self-transformation. He argues that the historical conflation of magic with supernaturalism has obscured its true purpose. According to him, the lack of clear communication from magicians has contributed to this misunderstanding. While recent centuries may have offered more freedom for discussions about magic, there remains a persistent gap in public understanding.

Moore points to figures in the occult tradition, such as those from the Golden Dawn, who prioritized elitism over clear communication of magical concepts. He critiques Aleister Crowley, acknowledging him as a significant scholar of the occult, yet highlighting how his quest for fame possibly overshadowed the deeper significance of his work.

The Aim of the Bumper Book

The driving force behind the Bumper Book was to present coherent and valuable insights into the evolution and function of magic throughout history. Moore envisions the book as a colorful and insightful exploration of magic that transcends mere theatrics, aiming instead to provide practical frameworks for personal and societal transformation.

When it comes to his own artistic process, Moore admits that while his worldview has been shaped by magical principles, his works have largely emerged without formal rituals. He reflects on a few exceptions, including certain performances and the culmination of his series Promethea, which he attributes to magical inspiration.

Collaboration with Steve Moore

Beyond the content, Moore discusses his collaboration with Steve Moore, whom he describes as a meticulous thinker that balanced his own spontaneous energy. Their partnership in creating the Bumper Book was marked by mutual respect and diligent research, allowing their ideas to flow seamlessly into the final product.

Following Steve Moore’s unexpected passing, Alan Moore expresses his hope that Steve would have approved of the final work. The book stands as a tribute to their shared vision and the legacy of ideas they cultivated together.

Graphic Storytelling Choices

When discussing his selective approach to using graphic storytelling, Alan Moore emphasizes that the Bumper Book was conceived primarily as a grimoire. He highlighted how the integration of various formats, including comics, served to enhance the overall narrative while reflecting a nostalgic children’s annual style.

A Manual for Mental Liberation

Moore concludes with reflections on the present state of global affairs and the potential for magic to provide mental liberation amidst societal oppression. He argues that while his earlier predictions may have anticipated current turmoil, they also served as reminders of the enduring need for individuals to seek freedom through the exploration of their inner landscapes. Ultimately, he hopes that the Bumper Book serves as a guide for those looking to break free from societal constraints, offering insight and inspiring transformation.

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