Photo credit: www.cntraveler.com
Did Berlin have any influence on the music?
Having spent eight years in Germany, following a period in Paris, I’ve developed a deep fascination with the architectural and cultural legacies of the Renaissance and Enlightenment eras. These periods symbolize the pinnacle of human creativity and achievement, which has significantly informed my musical endeavors.
Residing in East Berlin, close to the former Stasi headquarters, I am surrounded by Plattenbau structures—those prefabricated, Russian-style buildings that were shipped from Soviet Russia. Initially, these concrete blocks provided basic necessities like heating and running water, making them appealing to East Berliners. However, their stark and unattractive design raises concerns about the potential of creating beauty through assembly alone. This has led me to ponder the notion of beauty in our lives, suggesting that the loss of organic creation inevitably diminishes our experience of beauty and transcendence.
During the composition of my latest album, I became increasingly drawn to the aesthetics of Renaissance art and music. Visiting galleries in Berlin and Stockholm has transformed my perspective, prompting a newfound appreciation for choir music and the sounds of church organs. This journey deepened my interest in lute music, reflective of the Renaissance spirit.
On the subject of Europe’s beauty—you have a few European shows coming up in London, Brussels, and Utrecht in the Netherlands. Are there any other cities you want to take this new album, or any of your music, to?
Unfortunately, touring is no longer feasible for me due to the associated stress and my discomfort with flying. Yet, I yearn to perform in various places, notably Mexico and Brazil. The vibrant cultures of South America intrigue me, especially Brazil, where I’ve had to cancel several shows out of trepidation regarding air travel. Istanbul, Turkey, is another city close to my heart, and playing there remains a cherished aspiration.
I will likely continue to split my time between writing in Norway and Berlin, but I also have a strong desire to explore the Asian steppes. The architecture and historical significance of regions like Persia, Iran, and Uzbekistan resonate with me deeply, particularly the legacy of the Silk Road leading to Mongolia. The meditative quality of Mongolian music captivates me, prompting me to explore its nuances, including Mongolian throat singing, alongside the rich traditions of Ottoman court music.
I guess that depends… You’re clearly a road tripper. How do you feel about traveling by boat?
Traveling by boat is a viable option for me, and I’ve considered the possibility of taking the Queen Mary to the US at some point. Since I haven’t returned home since 2019, I find solace in the idea of slow travel, which significantly enhances my overall happiness.
Source
www.cntraveler.com