Photo credit: www.theguardian.com
Of all the things you’ve written, what gets quoted at you the most?
It’s likely one of the memorable lines from my series, Blackadder, which has firmly embedded itself into popular culture. That work, alongside Young Ones, has influenced how people express themselves. It’s intriguing how certain lines or phrases resonate over time, like “You’re as small as a very small thing that’s got a degree in being small.” The way language evolves has always fascinated me, and the echoes of my work can still be heard in both Australian and British English. Whenever I encounter fans, I often hear them referencing quotes, such as “I expect you want a bit of rat souffle tonight,” and I must admit, I sometimes struggle to recall the context.
Is it true that Blackadder ended in part because the cast constantly wanted to rewrite your and Richard Curtis’ jokes, which meant rehearsals got a bit tense?
Despite the creative tensions, the cast and I remain friends to this day. Just recently, I caught up with Rowan Atkinson, and Richard contacted me not long ago. There certainly were moments of intensity during the rewrite discussions, with debates often delving into minute details—like whether a vole or a gerbil would provide a better comedic image. Richard and I preferred that the cast initially rehearse the scripted material before tackling any proposed changes. While he endured the process, I gradually distanced myself from it. Those involved were undoubtedly creative individuals, and while many lines came from the cast’s improvisations, the bulk of our work was faithfully adhered to. Despite frustrations, our collaborative effort cultivated lasting friendships, which is a rarity in sitcom productions.
It’s been floated that a fifth season of Blackadder could be set during the Russian Revolution or even head to space. If you did a fifth Blackadder, what would you do?
Theoretically, if a fifth season emerged, it could cover any historical period and present a unique opportunity for creativity. Although I recently worked on a Shakespeare-themed sitcom called Upstart Crow, I feel that a fifth season of Blackadder is highly unlikely. None of us, apart from perhaps Tony Robinson, seem eager to revisit that concept. However, reflecting on the potential scenarios is certainly enjoyable.
If you had to fight a famous person, who would you fight, how would you fight them, and who would win?
My most notable celebrity encounter was a friendly game of Pop Quiz with Brian May. Our meeting happened on a tour bus during the 80s, where we engaged in playful trivia about glam rock. I came out on top, which was a delightful surprise given his background in the industry. More recently, I had the pleasure of collaborating with him on We Will Rock You, highlighting my fortunate career trajectory.
You wrote a song for the Wiggles. How does one write a song for the Wiggles?
My experience writing for the Wiggles has been delightful and surprisingly rewarding, as I still receive royalties for the song I penned. Years ago, I initially attempted to get a film project off the ground with them, a venture that sadly lacked funding. However, my enduring friendships with the group stem from my children’s affection for them, and my wife’s past connections with a few members added to our camaraderie. When they reached out for some lyrics, I gladly accepted the opportunity, which resulted in my involvement on an ARIA-winning album.
What’s your most controversial pop culture opinion?
In the realm of theatre, I hold a controversial opinion that Harold Pinter’s work lacks the humor often associated with great playwrights. While this view contrasts sharply with the common praise he receives, I’ve matured in my critiques of others, particularly following my early experiences of being criticized myself. However, as a deceased Nobel laureate, I believe he is equipped to withstand my opinion.
When you do standup, how do you handle hecklers?
Hecklers are not my favorite aspect of performing standup, as my routine is carefully crafted to achieve specific comedic effects. While some comedians thrive on crowd interaction, I view interruptions as disruptive. Fortunately, hecklers are a rarity in my performances—though I did encounter one supportive individual during my last tour, who clearly enjoyed the show.
Your third cousin was Olivia Newton-John. Did you ever meet?
Regrettably, my connection with Olivia Newton-John remained distant, despite my admiration for her work. We exchanged emails but never coordinated a meeting due to geographical obstacles. Her legacy as a remarkable artist and kind-hearted person is one I deeply respect, and I often reflect on the missed opportunity to connect.
You’ve written a sitcom for Madness and musicals for Rod Stewart and Queen. What other musical acts would you love to write a show for?
Although a pilot for Madness did not pan out due to their waning popularity at the time, it marked the beginning of my collaboration with Richard Curtis. My passion for pop music runs deep; there isn’t a genre I wouldn’t relove to delve into for a project. While I appreciate the magic of jukebox musicals, which some view with skepticism, I find them a fantastic way to relive classic hits live. Productions like We Will Rock You brilliantly revive these iconic songs, contributing to a theatrical experience that feels unique in today’s music landscape.
What song would you like to be played at your funeral?
I have a rather relaxed attitude towards funerals, believing we often place too much emphasis on death. I advocate for the option of voluntary assisted dying, as individuals should have the right to make choices about their lives and deaths. I do not feel compelled to curate my memorial service, as I believe the interests of the deceased shouldn’t overshadow those still living. My primary concern is ensuring that my remains are cared for in an environmentally sensitive manner.
Ben Elton is touring his show Authentic Stupidity around the UK in January and February, and then Australia in March and April; see here for dates.
Source
www.theguardian.com