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What distinguishes PowerHouse as it celebrates three decades in the publishing industry?
Reflecting on its legacy, PowerHouse has played a significant role in the evolution of art publishing, particularly within the realm of photography. Established in 1995, the company emerged during a time when contemporary photography had not yet found a robust presence in the publishing world. While competition has undoubtedly increased since then, leading to a flourishing art scene, PowerHouse was instrumental in laying the groundwork for this genre. The aspiration has always been clear: to ensure that the company’s books would be accessible in mainstream bookstores, a goal that has been largely achieved.
Which titles define PowerHouse’s historical impact?
In the year 2000, a significant turning point occurred when a corrections officer from Rikers Island, Jamel Shabazz, approached PowerHouse with a remarkable collection of photographs capturing street life in the late 1970s and 1980s. His work showcased the genesis of hip-hop culture, especially in terms of fashion. The resulting book, Back in the Days, became a cultural landmark and solidified PowerHouse’s reputation. Another pivotal title, New York September 11, created by Magnum Photographers, achieved the #1 spot on Amazon and distinguished itself by remaining in print amidst a sea of similar publications.
What’s in store for the future of PowerHouse?
Looking ahead, PowerHouse is set to release its most ambitious project for 2026: a new book by photographer Mark Peterson, a collaborator for over 20 years. This forthcoming volume will explore the contemporary political landscape, presenting what might be termed an “anti-photography” project. It aims to challenge readers to engage thoughtfully and draw their own conclusions, raising new inquiries in the process.
A version of this article appeared in the 04/28/2025 issue of Publishers Weekly under the headline: DANIEL POWER FOUNDER AND PUBLISHER, powerhouse books
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