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Richard Linklater’s latest film, Blue Moon, which portrays the life of iconic Broadway lyricist Lorenz Hart, has premiered at the Berlin Film Festival, and critics are starting to share their insights. The film, featuring a stellar cast including Ethan Hawke as Hart and Andrew Scott as Richard Rodgers, is anticipated to be released in theaters later this year.
The narrative unfolds at Sardi’s Restaurant on March 31, 1943, coinciding with the opening night of Rodgers and Hammerstein’s groundbreaking musical, Oklahoma!. The story delves into Hart’s internal struggles with his self-worth as he watches his former collaborator, Rodgers, successfully team up with Oscar Hammerstein.
Rodgers and Hart are known for their classic musicals, including Babes in Arms and Pal Joey, as well as the timeless ballad “Blue Moon,” which inspired the film’s title. Rodgers and Hammerstein continued to leave a remarkable legacy with hits like South Pacific, The King and I, and The Sound of Music.
Peter Debruge, Variety: “The film portrays a poignant moment at the twilight of Hart’s creative journey, revealing how he grapples with the prospect of rekindling collaboration with Rodgers, who has found success with Hammerstein. Hart is his own worst critic, offering insights into both his own work and that of others, all while navigating the complexities of artistic aspiration.”
Stephanie Bunbury, Deadline: “As the team associated with Oklahoma! congregates at Sardi’s, a nostalgic atmosphere envelops the scene, reflecting the golden era of Broadway. Linklater captures the essence of this historic venue, creatively framing Hart in moments of vulnerability that resonate deeply with viewers.”
Marshall Shaffer, Slant Magazine: “Blue Moon explores the enduring artistic genius of Rodgers through its dual portrayal of both Hart and Hammerstein’s creative dynamics. The screenplay thoughtfully incorporates hints of cultural reverence with cheeky references to prominent figures in the arts, while intertwining Hart’s personal tribulations, particularly in his relationship with college student Elizabeth Weiland.”
David Opie, IndieWire: “Hawke brings a vibrant energy to Hart, especially during the film’s early stages, setting up an exploration of artistic brilliance that nears transcendence. However, the film occasionally loses its momentum in later scenes, demonstrating the struggle to maintain that initial high.”
David Rooney, The Hollywood Reporter: “Blue Moon presents itself as a subtle yet intricately crafted film, revealing layers of complexity regarding creative collaboration and the unique atmosphere of New York’s theatrical scene of the era—even as it subtly addresses the nuances of identity and acceptance within the community.”
Geoffrey Macnab, Independent: “Linklater adeptly captures the charm and cutting wit of 1940s Broadway. While the film is rich in clever dialogue and humor, prolonged exposure to Hart’s world also invokes a sense of confinement that affects the narrative’s overall tone.”
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