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Science has always captivated Sofía Londoño, who recalls, “Biology was my first love.” After relocating to Miami from Colombia as a teenager seeking political refuge, she found solace in the art world. Today, Londoño’s dual passions merge seamlessly in her artistic endeavors, where she spends extensive periods examining the intricacies of nature through a microscope—studying leaves, insects, moss, and other organic elements. Her studio, situated within a compound that houses the esteemed AD100 landscape firm Geoponika, provides an enriching environment for her creativity. The cellular structures she observes inspire her to craft clay pieces that collectively form stunning abstract landscapes. “At a glance, it might appear as a camouflage design or a bird’s-eye view of nature,” Londoño says. “But upon closer inspection, you’ll notice that every element has been meticulously handcrafted.”
In her artistic practice, each mural she creates is tailored to its unique environment. For instance, at Diplo’s Brutalist home in Jamaica, Londoño drew inspiration from the surrounding rainforest, designing a pool-deck wall that thoughtfully incorporates the jungle’s vegetation into the architectural framework. Similarly, a new project in Florida focuses on the Everglades, while a music-themed vinyl bar in Nashville interprets sound through the “electricity of the glaze.” This venture is part of her ongoing collaborations with Commune Design, an AD100 firm, where she has also ventured into creating custom furniture and fireplaces.
The fireplaces, in particular, take on a poignant symbolism in light of the recent wildfires in Los Angeles. Londoño remarks that in images depicting devastation, “the fireplaces remain standing, like monoliths.” This observation leads her to reflect on the enduring nature of ceramics as a medium. “You could trace the entire narrative of humanity through ceramics,” she reflects. “These artifacts are the ones that last.” sofialondono.com
Auberge Resorts Debuts its First Hotel in Italy, Nestled in Florence
Auberge Resorts Collection has unveiled plans for its inaugural Italian hotel on a picturesque Florentine hillside, drawing from the rich history of the site, which was formerly a school dating back 250 years, complete with its own chapel, library, and theater. “We infused the design with an essence of learning and exploration,” says Kemper Hyers, the chief creative officer, who worked alongside the local firm ArchFlorence. The 83-room venue, named Collegio alla Querce, features interiors that initially appear understated, with colors reflecting the surrounding countryside. However, the design incorporates whimsical elements, such as transforming the former headmaster’s office into an inviting cocktail and cigar bar. Hyers emphasizes that the heart of the hotel lies within the conservatory dining area where guests can enjoy an espresso or aperitif amid preserved oak trees.
Custom furnishings prominently showcase Italian craftsmanship, utilizing local materials such as Grolla limestone from Vicenza for the bathrooms, sandstone for entrances, and bronzed brass for fixtures. Additionally, the interiors weave together antiques, vintage designs, and contemporary artwork, creating layers of visual depth and historical richness. Overall, the project has garnered high praise for its thoughtful execution and aesthetic appeal. aubergeresorts.com
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www.architecturaldigest.com