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In the debut work of Korean artist Yudori, titled Raging Clouds (Fantagraphics, July), a poignant connection emerges between two women in 16th-century Holland, transcending the barriers of class and race. The narrative revolves around the wife of a Dutch merchant and an Asian woman brought to the Netherlands as a slave. Praised as a “fierce” historical fiction manhwa by Publishers Weekly, this work vividly illustrates “16th-century Europe with a crisp line that becomes elegant and sinuous.”
What motivated your choice of this historical setting?
Although I have never set foot in the Netherlands, I draw inspiration from other creators. For instance, Ikeda Ryoko, the famed author of The Rose of Versailles, never visited France. It seems to be a tradition within shojo manga to narrate stories about locations the author has not personally experienced.
Having grown up in Korea, I spent time in the Philippines and later moved to America. Now, I reside in England with my British husband. This journey has required diligent research and a deep empathy to envision life from diverse perspectives, an endeavor I feel has characterized my existence.
What was the most surprising aspect you discovered about that time period?
In the 16th century, women in the Netherlands were treated with a level of respect that was notably higher than in other European nations of the time. However, this respect came with expectations; women across all social classes were expected to contribute to labor. Additionally, I uncovered the complexities of the slave trade, particularly how Asian slaves sometimes found their way to locations like Lisbon or Mexico, where a longstanding Asian community exists.
The enslaved woman in Raging Clouds, named Sahara, remains somewhat enigmatic. Do you have an idea of her background?
Absolutely. Yet, I find a certain beauty in the ambiguity of her character. Although she has a story to tell, she opts to keep it to herself. Upon my arrival in America, I often faced questions about my origins: “Are you from Japan or China? What are you?” There is a unique strength in controlling the narrative of one’s identity, even if it means sacrificing a degree of societal status.
Why did you consider it vital to share this particular story?
I have harbored the idea for this story since I was 19. It’s intriguing how different cultures have contributed to scientific advancements, yet often only specific names gain recognition in the Western narrative. For instance, while the Montgolfier brothers are celebrated for inventing the hot-air balloon, it’s worth noting that many cultures, including China, had similar technologies long before.
Many feminist narratives focus on women who succeeded and overcame adversity, often culminating in apotheosis—getting recognition or marrying their true love. However, it is equally crucial to acknowledge the stories of women who struggled and fell short of their goals. The richness of history extends far beyond those who achieved fame.
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This article has been updated with further information.
A version of this article appeared in the 04/28/2025 issue of Publishers Weekly under the headline: 4 Questions for Yudori.
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