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The latest releases, now available on FTII’s YouTube channel, depict the stories young filmmakers wanted to tell in the early 90s while also showcasing Irrfan Khan’s early brilliance.
Irrfan Khan passed away in 2020. (Photo Credit: X)
In a significant development, the Film and Television Institute of India (FTII) has unveiled a unique collection of restored student films from the 1990s, titled ‘Irrfan Unveiled’. This selection highlights the burgeoning talent of Irrfan Khan, who would later become a pivotal figure in cinematic storytelling. These films, now accessible on FTII’s YouTube channel, reflect the aspirations and creative expressions of young filmmakers during that transformative decade.
Each film in this collection explores profound themes such as power dynamics, social class, isolation, and the complexities of human psychology. One standout piece, ‘A Briefcase Full of Reflexive Maladies’ (1992), examines the often-overlooked yet impactful nature of human relationships amid the influences of wealth and ambition. This film diverges from traditional narratives by eschewing standard dialogue, instead portraying the overwhelming effects of capitalism on personal choices.
Another notable entry, ‘You Can’t Give Any Reason’ (1992), tells the story of a powerless family ensnared in the manipulative schemes of a middle-aged officer. It presents a gritty perspective on how authority can wield control over the vulnerable. Following that is ‘Veg. Non-Veg’ (1992), which takes a darker turn as it follows a gangster assigned to kidnap a girl who is romantically involved with the victim. This film invites viewers to contemplate whether genuine relationships can survive within a world steeped in violence.
‘Manoeuvre’ (1992) delves into themes of obsession and repressed trauma. The narrative intensifies as a triggering event brings back painful childhood memories for the male protagonist, igniting a tense and destructive interplay between him and a woman who embodies both his desire and his fears.
The collection also includes ‘Reconnaissance’ (1990) and ‘Morning’ (1990). The former portrays a melancholic young man grappling with self-doubt and communication barriers as he navigates the chasm between his imagined love and suppressed desires, striking a chord for many with its depiction of loneliness.
‘Morning’, inspired by an Anton Chekhov tale, provides a haunting glimpse into the life of a young housemaid overwhelmed by her relentless toil for a wealthy family, culminating in an emotional breaking point that is both shocking and profoundly cathartic.
It’s worth noting that Irrfan Khan’s final film appearance was in ‘Angrezi Medium’, which premiered shortly before his passing on April 29, 2020. The acclaimed actor died at the age of 53, leaving behind a legacy of groundbreaking work and inspiring performances.
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