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Girls Will Be Girls Review: A Captivating Coming-of-Age Drama Exploring Desire and the Unspoken Emotions of Adolescence

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Last Updated: December 18, 2024, 22:19 IST

A Reflection on Relationships and Self-Discovery in Girls Will Be Girls

Girls Will Be Girls

4/5

18 December 2024 | English | 2 hrs 13 mins | Romance, Drama

Starring: Preeti Panigrahi, Kani Kusruti, Kesav Binoy Kiron

Director: Shuchi Talati

Music: Pierre Oberkampf; Sneha Khanwalkar

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Exploring the Intricacies of Desire and Adolescent Growth

Shuchi Talati’s film, Girls Will Be Girls, masterfully delves into the themes of adolescence, female identity, and the intricate web of interpersonal relationships. At the heart of this coming-of-age tale is Mira, portrayed by Preeti Panigrahi, whose journey unfolds within the intimate setting of a Himalayan boarding school.

Mira is depicted as the exemplary head prefect—disciplined and ambitious. However, as the narrative progresses, viewers are invited to witness a more vulnerable side of her character. The arrival of Sri, played by Kesav Binoy Kiron, a charismatic new student in the astronomy club, introduces challenges that begin to disrupt Mira’s meticulously constructed life.

What distinguishes Girls Will Be Girls is its thoughtful pacing, allowing the emotional landscape of the characters to emerge naturally. Talati’s direction embraces the power of silence and non-verbal communication, enriching the story with moments that are often as telling as the dialogue between characters like Mira and her mother, Anila, who is played by Kani Kusruti.

Preeti Panigrahi’s performance is a standout aspect of the film. Her portrayal of Mira is both powerful and nuanced, effectively conveying the character’s internal struggles. Talati’s use of close-ups emphasizes the layers of emotion that Panigrahi captures so adeptly. Kesav Binoy Kiron complements her as Sri, bringing a light and engaging presence that enhances the film’s romantic tension.

Central to the narrative is the complex relationship between Mira and her mother, Anila. While Anila’s affection for Mira is clear, it is complicated by underlying themes of possessiveness and jealousy. As Mira begins to forge her own identity, Anila’s demeanor shifts, reflecting her own unresolved aspirations. Kani Kusruti offers a beautifully crafted performance that resonates with authenticity, making the mother-daughter dynamic deeply relatable.

The film does not shy away from exploring uncomfortable topics related to female desire, presenting them within the broader context of societal constraints that often inhibit genuine expression. The gradual build-up of the story is not merely for effect; rather, it fosters a deeper understanding of adolescent experiences—the joy, confusion, and heartache of growing up.

Girls Will Be Girls is a poignant exploration of timeless themes that resonate with contemporary audiences. It succeeds in prompting reflection on the silent emotions that shape both our relationships and our self-understanding. This film is indeed a noteworthy experience that stays with the audience long after the credits roll.

Source
www.news18.com

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