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The Artistic Sanctuary of Lenny Kravitz

In a unique blend of design and personal history, musician Lenny Kravitz creates an artistic haven that reflects both his aesthetic preferences and his familial ties. Nestled within this creative space is a thimble-sized crystal coupe containing a turmeric-ginger shot, resting on a meticulously crafted Brutalist coffee table designed by Paul Kingma. On the wall hangs a retro mod poster that once adorned his parents’ East 82nd Street apartment during his childhood, a striking testament to the blend of past and present in his surroundings.

Kravitz describes his design philosophy as embodying “soulful elegance” — a concept he defines as a balance between curation and comfort, where minimalism does not overshadow richness. “It’s chic and comfortable,” he explains, “featuring a mix of ethnic and African elements integrated with European styles. This fusion, influenced by Afrofuturism and midcentury design, is what captures my attention. I am drawn to pieces that are both glamorous and unapologetically raw.”

Among the standout pieces in his home is Richard Avedon’s iconic portrait of Marilyn Monroe, elegantly showcased on a console by Lella and Massimo Vignelli situated just off the upstairs landing. The lounge area, dubbed “Kravitz’s louche subterranean screening room,” boasts a stunning 1970s Terrazza sofa by Ubald Klug for de Sede, paired with a statement coffee table made of brass and polished steel featuring a rotating center — a nod to the playful yet sophisticated atmosphere he cultivates.

In the Sous Sol Hall, a 1970s mirror designed by Vittorio Introini captures attention above a Tee console designed by J. Wade Beam. It is not just the furniture that tells a story; personal artifacts abound, including Jimi Hendrix’s floral-print shirt and multicolored fur-lined vest. Such items serve as mementos of meaningful connections and shared histories.

Items commemorating family and cherished relationships fill the spaces, acting as reminders of life’s transience. Notable pieces include a portrait of his godmother Diahann Carroll displayed in the library, framed publicity shots of his mother in the elegantly appointed Roxie Room, and a leather jacket belonging to Miles Davis, a treasured gift from Cicely Tyson, commemorating the late musician’s legacy. Perhaps the most poignant piece is a striking portrait of Kravitz’s grandfather, Albert Roker, captured by Ruven Afanador, which takes pride of place above a Sculpted Front sideboard by Paul Evans in the dining area.

The wine room further reflects his artistic sensibilities, adorned with an eclectic mix of artworks and decor. Among its treasures are a contemporary oil painting from Russia depicting a woman and child, a stylish table lamp by James Mont, and an 18th-century mirror that adds an air of vintage sophistication.

Reflecting on his grandfather’s influence, Kravitz cites a memorable experience during a photoshoot for his fourth album, *Circus*, which took place in Nassau. “I had my grandfather wear one of my suits, and Ruven photographed him extensively. My grandfather’s presence is foundational to my journey, shaping not only my life but my mother’s trajectory as well. His influence resonates throughout my family, and he remains a constant source of inspiration in my life and work.”

Source
www.architecturaldigest.com