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“Honestly, I feel like it hasn’t quite hit me yet,” shares Tatianna Córdoba, as she prepares for her Broadway debut in the lead role of Ana in Real Women Have Curves: The Musical. The character, initially brought to life by America Ferrera in the 2002 film, represents a first-generation Mexican American grappling with her own dreams against the backdrop of her family’s dress-making business. In a conversation with Gold Derby, Córdoba emphasizes the timeless resonance of the musical’s empowering narrative.
Gold Derby: The original play and its subsequent film were both groundbreaking. Did you look back at those earlier versions while preparing for the musical, or did you feel the need to approach it independently?
Tatianna Córdoba: I felt it was essential to set those aside because the play, film, and musical each tell the story differently. Although they share core themes, the focus and portrayal vary significantly. I wanted to ensure that Ana remained uniquely herself, which meant channeling my own essence into the character without being influenced by previous interpretations.
Are there personal traits that you see reflected in Ana?
Interestingly, I find I relate to her much more at 25 than I did at 18. Ana embodies everything I aspired to be at that age—her vibrant spirit and adventurousness are so appealing. She carries an unearned confidence that opens doors for her, something I wish I had back then.
Your on-stage mother, Justina Machado, has a captivating presence that draws the audience in. What lessons are you gaining from sharing the stage with her?
Justina is incredibly lovable and exudes talent; her performances feel like a masterclass. Our dressing rooms are nearby, so I often seek her advice. She’s not only a remarkable actress but a strong, graceful woman. Seeing her navigate this industry is inspiring, especially since she emphasized that it took her years to reach her current level of self-assurance. I’m learning valuable lessons about self-worth, particularly as a woman of color in this space.
Although the musical is set in 1987, the themes feel remarkably relevant today, especially concerning women’s bodies and immigration. How do you interpret its significance in 2025?
It’s disheartening to realize how pertinent these issues remain. Audience members often forget they’re watching a story set in 1987 because the challenges we address—immigration, body image, racism—are still so prevalent. While it’s troubling, it also offers us a chance to reflect on society’s progression, or lack thereof, since that era.
The characters experience oppression while exhibiting a vibrant joy. What do you think fuels that energy?
That’s a significant aspect of Latin culture. From an early age, joy in our identities—through culture, music, and food—is a form of resilience. Even amid fear and struggle, our joy remains unassailable. Our cultural essence is a source of strength that we collectively nurture. This production powerfully showcases not just the challenges minorities face but also the richness of joy and love in these communities.
The title number exemplifies this joy, featuring a scene where the women reveal themselves in a vulnerable yet empowering moment. How has your experience with that performance evolved?
It has been quite a journey for me, as I joined the cast later and heard stories about that scene from those who had performed it before. Initially, it felt awkward during rehearsals—being exposed in front of an audience brings about a unique vulnerability. However, after our first audience performance, I understood its impact. Seeing the joy and emotion in their faces—especially women and young girls—was incredibly moving. Now, it’s one of my favorite numbers. I eagerly anticipate it!
The audience’s enthusiastic response, culminating in a standing ovation, must be exhilarating. How does it feel to share that moment with them?
It’s truly fantastic. The standing ovation is an unexpected reward. When you find yourself receiving that applause while standing there in your underwear, it’s both terrifying and thrilling. It’s a testament to how connected the audience feels to our story, having journeyed with us throughout the show.
Many attendees linger after the performance, expressing their emotions about the experience. What do you hope resonates with them as they leave the theater?
I hope they feel inspired to embrace all aspects of themselves—body, identity, and heritage. Life is filled with challenges, but those complexities are also what make each person’s experience unique and valuable. Ultimately, our show serves as a celebration of every woman in the audience, providing a sense of recognition and validation.
This interview has been edited for clarity and length.
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