Photo credit: www.vogue.com
Isabella Rossellini Reflects on New Role in Conclave and the Nature of Silence
“It almost felt like a silent-film-star performance,” Isabella Rossellini recently shared in an interview with Vogue, describing her experience on the set of the film Conclave. At 72, the seasoned actress spoke candidly about the patriarchal structures within the Catholic Church and how her character’s silence echoed this reality. “When I finally do speak towards the end of the film, it feels like a bomb going off,” she added, highlighting the significance of her character’s voice in a predominantly silent environment.
During the conversation, Rossellini discussed a variety of topics ranging from her role in Conclave to her feelings about her Broadway debut in Death Becomes Her, the impact of her work in Blue Velvet, and her choice to embrace a quieter life away from Hollywood in her Long Island farmhouse.
Vogue: What draws you to a project these days?
Isabella Rossellini: The allure of Conclave began when Edward Berger sent the script my way through my agent. I found it captivating right from the start. Having previously seen his exceptional work in All Quiet on the Western Front, I was excited at the prospect of collaborating with a director of such talent. While not all the roles were filled initially, I had heard whispers that actors like John Lithgow and Stanley Tucci might join the cast, so I reached out to them to share my excitement about the project.
Do you often reach out to fellow actors during negotiations for a role, discussing their potential involvement?
It does happen! Usually, this dynamic is reserved for close friends, as it can feel inappropriate otherwise. I’ve known Stanley since we worked together on Big Night back in 1996, and years of friendship allowed me to inquire about his interest. Their participation would only enhance my enthusiasm for the project.
Your character, Sister Agnes, remains somewhat of an observer throughout the film. How did you approach embodying her?
My role is quite subdued—Sister Agnes is like a shadow in the film, consistently present but rarely seen or heard. My familiarity with silent films aided my portrayal, as there’s a certain artistry in conveying emotion without words. The narrative structure reflects a deeply ingrained patriarchal ideology, where women traditionally have limited speaking roles. Therefore, when I finally do voice my thoughts towards the film’s conclusion, it resonates powerfully, akin to a dramatic revelation.
What insights did Edward Berger share regarding your performance?
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www.vogue.com