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Kara Young is back in the Hayes Theater, where she previously performed in the acclaimed 2021 Lynn Nottage play Clyde’s, earning her first Tony Award nomination. Reflecting on her experiences in that space, Young notes, “There are so many memories,” particularly those shared with her late costar, Ron Cephas Jones. The theater, she says, is imbued with the beauty of the memories it holds.
Recognized as the first Black actress to achieve three consecutive Tony nominations for Best Featured Actress in a Play, Young secured the award in 2024 for her performance in Purlie Victorious. Currently, she’s portraying Aziza Houston in the new play Purpose, written by Branden Jacobs-Jenkins and directed by Phylicia Rashad. Young’s character navigates complex relationships, notably asking her friend Naz (played by Jon Michael Hill) to be a sperm donor. Aziza’s introduction to Naz’s family, prominent Black activists reminiscent of Jesse Jackson, unfolds during a homecoming dinner for their son Junior (Glenn Davis), recently released from prison for embezzlement. As the evening progresses, buried truths emerge, compelling the group to reevaluate their long-held beliefs.
“Branden masterfully uncovers truths that make us laugh or hit us deep,” Young remarks, reflecting on the intricate emotional landscape of Aziza’s character. “That encapsulates Aziza’s journey—finding awe and reverence amidst the chaos.” Young is also in the running for a Drama League Award, further highlighting her impactful role.
In a recent conversation, Young shared insights into her pre-show rituals, her love for carrot cake, and the profound inspiration she draws from New York, the city she considers home.
On Relating To Her Character:
Aziza Houston embodies many qualities I aspire to have. She possesses a rich understanding of her own history, her identity, and Black history, exuding an unapologetic confidence. I admire her quest for justice and her dedication to humanity. Playing someone so closely aligned with my values yet vastly different from me is a gratifying experience. The script contains intricate details that resonate, especially since Aziza hails from Harlem, while my own background was shaped in a more eclectic, hippie school environment.
On Her Pre-Show Routine:
Before each performance, we gather to pray. This moment serves as a powerful grounding experience—not only as an affirmation of faith but also in acknowledging the collaborative integrity of everyone involved in the production, from the director to the costume designers. This ritual prepares us mentally and spiritually to engage deeply with the performance ahead.
On Her Dressing Room Decor:
My dressing room often ends up resembling a relocated apartment, piled with various items I collect over time. I tend to stock up on essentials like natural menthol drops. There’s no set decor; rather, it’s a constantly evolving collection that reflects my day-to-day experiences.
On Her Post-Show Comedown:
After a show, my routine varies. I usually take a brief walk with a fellow cast member or enjoy a meal before resting. I wouldn’t necessarily describe it as unwinding; instead, I spend that time reflecting and taking mental notes about my performance and the complexities of the story we shared on stage.
On Her Go-To Snack:
I have a deep affection for Westville’s carrot cake—it’s genuinely exceptional. Having tried numerous versions, I can confidently say that nothing compares to what they offer. Their carrot cake is always a delight.
On Her Biggest Acting Influence:
New York City itself is my greatest influence. While there are countless individuals I admire in the field, the city’s diverse characters and vibrant street life offer constant inspiration. Every corner presents a mini theater; from observing emotions on the streets to interactions in local delis, New York is a theater in itself, fueling both my imagination and my craft.
Source
www.bustle.com