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Remembering Larry Stanton: A Life Captured Through Art
Artist Larry Stanton, whose life was tragically cut short by the AIDS epidemic, created a remarkable body of work in just a few short years before his passing in 1984 at the age of 37. His portraits, primarily of gay men, resonate with authenticity and depth, displaying both innocence and insight. Stanton’s artistry has drawn comparisons to the work of David Hockney, who became a significant supporter of Stanton’s endeavors.
A new exhibition at Clearing Gallery in Los Angeles, titled Think of Me When It Thunders, serves as both a tribute to Stanton and a poignant reflection on the struggles faced by the gay community during a devastating health crisis. The exhibition’s title references one of Stanton’s last conversations with his long-time partner, Arthur Lambert, suggesting a desire for remembrance amidst hardship. Lambert has remarked how the absence of storms reminds him of Stanton’s profound words.
In a showcase that memorializes a generation lost to AIDS, one standout piece is Hospital Drawing, created during Stanton’s hospital stay. This vibrant work features a bright blue sky and ocean complemented by the optimistic inscription, “I’M GOING TO MAKE IT” rendered in rainbow colors. Fabio Cherstich, director of Stanton’s estate, notes that these artworks served as a means for Stanton to process his deteriorating health, encapsulating his experience of life and death through creative expression.
Displayed prominently in the gallery, Hospital Drawing invites viewers to engage with it thoughtfully. “The power of this piece is undeniable,” Cherstich reflected, referring to how Stanton seems to communicate directly through his art. The emotional weight of the work resonates particularly strongly for those familiar with Stanton’s story.
Stanton’s transformation into an artist didn’t occur until later in his life. Originally from upstate New York, he moved to New York City at 18 and found himself drawn into the vibrant gay culture of Greenwich Village. While he initially sought freedom and exploration over artistic pursuits, his striking looks and charm quickly earned him attention. Cherstich recounts how Stanton met Lambert in 1967 on Fire Island, marking the beginning of a significant relationship.
Following Lambert to California in 1968, Stanton enrolled in art school—a decision supported by Lambert. However, traditional education did not suit him, and he struggled with the structure of academic life. Yet, his relationship with David Hockney became a crucial turning point. Hockney recognized Stanton’s potential and became a mentor, helping him find his footing in the artistic world.
In 1978, after his mother passed away from cancer, Stanton experienced a personal crisis that catalyzed his dedication to art. This pivotal moment ignited a fierce commitment to his creative work. As Stanton passionately captured his surroundings, he often drew acquaintances and even himself, embodying the transient nature of his connection with individuals from the vibrant nightlife of New York City.
John Utterson, director of Clearing Gallery, highlights how Stanton’s candid portrayal of the gay scene adds to the anthropological value of his work, offering a unique glimpse into a transformative period in history. The collection, which features around 30 pieces, combines drawings, paintings, and Super 8 videos, including significant moments from the late 70s, such as David Hockney at work and clips from Pride parades.
The exhibition evokes a haunting atmosphere, drawing viewers into the spirit of the 1980s. Stanton’s art captures the fleeting moments of life, imbued with a sense of longing and introspection. “His focus on the eyes in his portraits is striking,” Cherstich commented, emphasizing how they draw audiences in and connect them to the subjects’ experiences. Utterson echoed this sentiment, noting the intense bond that is palpable between Stanton and his subjects.
Stanton’s work remains a powerful testament to his artistic vision and ability to capture the complexities of the human condition. Even after four decades, his art continues to resonate, showcasing a blend of spontaneity and deep emotional vulnerability, making it as relevant today as it was during his lifetime.
Source
www.theguardian.com