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Last Updated: February 21, 2025, 11:03 IST
Kudos to Arjun Kapoor for shedding his inhibitions, if any, and letting the women – Bhumi Pednekar and Rakul Preet Singh – shine!
The romantic comedy film Mere Husband Ki Biwi is currently showing in cinemas.
Mere Husband Ki Biwi U/A
3.5/5
21 February 2025 | 2 hrs 23 mins | Romantic Comedy
Starring: Arjun Kapoor, Bhumi Pednekar, Rakul Preet Singh, and Harsh Gujral
Director: Mudassar Aziz
Music: Dr Zeus, Vishal Mishra, Tanishk Bagchi, Badshah, Akshay & IP, and Sohail Sen
Mere Husband Ki Biwi Movie Review: Director Mudassar Aziz’s film, Mere Husband Ki Biwi, offers a fresh departure from the traditional romantic comedy narrative, steering clear of the familiar tropes found in classics like Pati Patni Aur Woh. Rather than focusing on infidelity, it explores the dynamics of relationships without the added complexity of cheating. However, while the intentions behind the film are commendable, the execution sometimes falters. Notably, this film is characterized as a ‘love circle’ rather than a triangle, thanks to the substantial roles occupied by its two female leads, Bhumi Pednekar and Rakul Preet Singh, who are central to the story. Arjun Kapoor deserves praise for allowing them to take center stage, indicating his growth and confidence as an actor.
The narrative follows Ankur, Prabhleen, and Antara, set against the bustling backdrop of Delhi. The film opens with Piyush Mishra narrating the complexities of modern weddings and marriages. Immediately after, viewers are thrust into a bizarre dream sequence where Ankur is haunted by his ex-wife Prabhleen; however, this turns out to be merely symbolic of his struggle post-divorce. Ankur grapples with his feelings, clearly indicating that he has moved on from Prabhleen, despite lingering memories.
Rehan, Ankur’s best friend, tries to help him move on by introducing him to a Russian dancer at a bachelor party, but the plan goes awry. The plot takes a twist when Ankur unexpectedly encounters Antara during a work trip in Rishikesh after a mishap involving her hang glider. Their chemistry reignites old feelings, particularly since she was his college crush. Just as he considers committing to her, Prabhleen reenters his life unexpectedly.
Following an accident, Prabhleen suffers from partial amnesia, causing her to forget their divorce and prompting her to rekindle their relationship. This scenario creates a compelling tug-of-war for Ankur’s affections—a central theme that drives the narrative forward.
The film’s lengthy runtime of 2 hours and 23 minutes may challenge some viewers’ patience. While it starts slowly, the pacing improves, particularly in the latter half, culminating in an unexpectedly satisfying conclusion. Nevertheless, some of the comedic elements fail to resonate, highlighting a disjointed quality in the screenplay where humorous exchanges fall flat.
Dialogue attempts to infuse energy into the interactions between Ankur and Rehan often come off as forced. Despite the film’s vibrant aesthetics, it finds its strength in poignant scenes that delve into the complexities of Ankur’s relationship with Prabhleen. Both the director and producer, Vashu Bhagnani, deserve recognition for the nuanced depiction of their marital struggles, steering clear of one-dimensional portrayals often seen in similar narratives.
As the story unfolds, it avoids the pitfall of making women appear overly demanding or nagging. The film navigates sensitive topics regarding marriage and divorce without resorting to preachy moral lessons, showcasing a more progressive perspective.
Arjun Kapoor’s portrayal of Ankur is commendable, especially in emotionally charged scenes that leave a lasting impact. Having not participated in a romantic comedy for several years, he seems to relive moments of joy and discovery in this role. Rakul Preet Singh contributes significantly as Antara, showcasing her charm amid the competition with Prabhleen. Bhumi Pednekar shines brightly as Prabhleen, delivering a quirky and multifaceted performance that balances eccentricity with vulnerability—often oscillating between eliciting frustration and sympathy from the audience.
Meanwhile, Harsh Gujral makes his acting debut as Rehan, but his character lacks depth and nuanced dialogue, reducing him to a typical supportive friend trope. His contributions to the plot are limited, and his character could benefit from a stronger narrative arc.
Supporting roles, including those played by Dino Morea, Shakti Kapoor, and Aditya Seal, add color to the film but do not substantially alter the course of the story. Ultimately, the film lives up to its promise, especially in its closing moments which offer unexpected revelations. As a family entertainer reflecting the comedic style reminiscent of early 2000s films, Mere Husband Ki Biwi underscores the importance of friendship and camaraderie amid romantic rivalry, illustrating that chaos can sometimes lead to meaningful outcomes without fully crossing boundaries.
Source
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