Photo credit: www.broadwayworld.com
After a festive celebration, the highly anticipated musical “Maybe Happy Ending” officially opens on Broadway today, November 12. Featuring acclaimed actor Darren Criss alongside Helen J Shen, this romantic comedy is directed by Tony Award winner Michael Arden, with music composed by Will Aronson, lyrics by Hue Park, and a book co-authored by Aronson and Park.
Set in a modest one-room apartment on the outskirts of Seoul, the story centers around Oliver, a HelperBot 3, who lives a tranquil life filled with jazz music and nurturing his beloved plant. Once a helpful automated companion, Oliver now grapples with feelings of obsolescence in a world that has moved on. His routine is disrupted when Claire, his HelperBot neighbor, requests to borrow his charger. This seemingly mundane interaction blossoms into an unexpected friendship, a thrilling adventure, and potentially, a romantic connection. Recognized with the Richard Rodgers Award, “Maybe Happy Ending” captures the quirky yet poignant tale of two lonely outcasts who, despite their technical limitations, discover that emotions can transcend even the most mechanical barriers.
Critics have started to weigh in on this innovative musical:
Jesse Green of the New York Times reflects on the deeper philosophical questions posed by the show. He notes that Oliver’s realization of Claire’s imminent mortality raises profound questions about love and loss, suggesting that, for both robots and humans, these themes are essential elements of experience. The complexity of the musical’s title hints at an exploration of what it means to connect with others when faced with inevitable endings.
Adam Feldman from TimeOut muses on whether this unique production can find its place on Broadway. Despite its peculiarities, he argues that the show presents a valuable perspective on the ephemeral nature of existence, illuminating our humanity through its gentle storytelling and imaginative presentation.
In Entertainment Weekly, Shania Russell praises Darren Criss for embodying a character that showcases both charm and humor. Though the musical engages with multiple themes, it excels at portraying its central love story and achieves impressive visual spectacle, resonating with audiences through its heartfelt approach.
Christian Lewis of Variety describes the emotional impact the musical has on its audience, highlighting the parallels drawn between humans and robots. This narrative underscores the significance of empathy and connection, suggesting that self-care and support for others are universal necessities.
Greg Evans from Deadline comments on the spectacular visual display in the show, praising its climactic moments that delight the senses. He acknowledges that, while the production sometimes stretches its narrative, it consistently offers enchanting experiences that resonate with viewers.
Tim Teeman of the Daily Beast lauds “Maybe Happy Ending” as a standout in the current theatrical landscape. With its inventive and subtle storytelling, the show redefines Broadway entertainment by focusing on the emotional, often understated journey of love.
Patrick Ryan from USA Today commends the production for its unique approach to musical storytelling, comparing it favorably to past original works on Broadway. The show poses significant existential questions about the nature of love and the inevitability of loss.
Robert Hofler from The Wrap finds the musical to be both soothing and captivating, noting the cleverness of its lyrics which resonate with audiences despite being delivered by non-human characters.
Michael Sommers at New York Stage Review addresses the current trend of overly loud musicals, suggesting that “Maybe Happy Ending” offers a refreshing alternative with its delicate and orchestrated score, enhancing the overall experience.
Melissa Rose Bernardo at New York Stage Review acknowledges that while the production may struggle with pacing at times, it ultimately delivers a heartfelt narrative that promises to uplift audiences.
Joe Dziemianowicz from New York Theatre Guide emphasizes the visual and narrative magic of the show, driven by Michael Arden’s thoughtful direction that enchants and engages the audience profoundly.
Lastly, Chris Jones of the Daily News highlights the remarkable storytelling of two robot protagonists emphasizing that love remains an essential, timeless theme within the realm of theatrical expression.
Elysa Gardner from the New York Sun captures the emotional essence of the musical, describing a resonant experience that leaves a lasting impression on its audience.
Average Rating:
89.2%
.
Source
www.broadwayworld.com