Photo credit: www.news18.com
Last Updated: April 27, 2025, 18:29 IST
After going viral in 2018 with a single wink, Priya Prakash Varrier took her time before making her debut in Tamil cinema.
Priya Prakash Varrier discusses her journey beyond the viral fame of the “wink girl,” her entry into Tamil cinema alongside renowned actors like Dhanush and Ajith Kumar, and her embrace of new opportunities through projects such as Neek and Good Bad Ugly.
In 2018, a fleeting moment in the Malayalam film Oru Adaar Love turned Priya Prakash Varrier into a nationwide sensation, captivating audiences and dominating social media. However, this instant fame came with its own challenges, as Priya acknowledged in her interview with CNN-News 18 following the release of her latest film, Good Bad Ugly, where she stars alongside Ajith Kumar.
Six years after her viral moment, Priya is finally making her mark in Tamil cinema, not just with one but two significant films—Neek featuring Dhanush and Good Bad Ugly opposite Ajith Kumar. During the candid interview, she reflects on her long wait, the attention she garnered, comparisons to Simran, and her determination to move past the “wink girl” persona.
So, the “wink thing” went viral back in 2018. It’s now 2025 — what took so long to step into Tamil cinema?
I believe it was all about waiting for the right opportunities. I feel that everything ultimately aligns when the time is right. Now, everything is falling into place with Neek and GBU. Throughout the years, I’ve encountered many scripts, but it’s rare to find stories that resonate with me deeply. That was precisely the case with Neek and GBU, which felt perfect for my debut in Tamil cinema.
You made your Tamil debut with two of the biggest names in the industry — Dhanush and Ajith. Let’s start with Neek. Why do you think Dhanush wanted you for that character?
Honestly, I haven’t directly asked him (laughs). He invited me to meet him in Chennai and expressed his belief that I was the perfect fit for the role of Preeti. For someone of his caliber to say that felt monumental, as he has a keen eye for talent, and I trusted his judgment completely.
When big stars approach you for a film, is it an automatic yes, or do you weigh your role carefully?
I definitely consider the role carefully. The presence of a big name doesn’t guarantee a positive experience; it’s crucial to enjoy the character. I genuinely loved playing Preeti in Neek and Nitya in GBU, which made my decision to accept both roles easier.
Are you someone who plans your career moves meticulously, or do you go with the flow?
I tend to be quite spontaneous. I don’t lay out an intricate plan for my career. Instead, I evaluate opportunities as they arise and choose what feels right at the time.
There’s buzz that Neek 2 is in the works. Any confirmation?
I’m not sure about that. I certainly hope it happens! There are some intriguing rumors suggesting the entire sequel could be set on a plane. That would be an exciting twist, don’t you think? However, I haven’t spoken to Dhanush sir about it yet.
Now let’s talk about GBU. What did director Adhik tell you when he pitched the film?
He was upfront with me. He mentioned, “This is Ajith sir’s film, so naturally, other characters won’t dominate the screen time. However, your role is crucial as it provides a major twist in the story.” His honesty motivated me to take on the project.
There’s a retro song in GBU, Sulthana, which has gone viral since the film’s release. Had you heard it before you did the film?
I had heard the song but had never watched the original video until just before the dance rehearsals. I didn’t want to stress myself too early in the process. Once I did see it, I focused on enjoying the choreography.
People are comparing you to Simran because of that song. How do you feel about that?
I believe it’s an unfair comparison—Simran ma’am is in a league of her own with an unmatched aura. Nonetheless, I’m grateful that people enjoyed the song and offered kind words, and that appreciation means a lot to me.
What’s your take on old songs making a comeback in modern films?
I adore it! As someone who grew up in the 2000s, I wouldn’t have discovered these classic songs otherwise. It’s fantastic that they are being revived. In GBU, for instance, there’s a song called O Taruba that I hadn’t previously heard, but it has since made it to my playlist.
Did Simran reach out to you about the tribute?
Yes! I had tagged her on Instagram when I shared a story, and she replied saying she loved it. That message was incredibly meaningful to me.
GBU is not a conventional film — more like a fan tribute. Did you enjoy such ventures?
I truly had a blast. In fact, I wouldn’t have understood all the references without having seen various memes beforehand! Many of those memes helped clarify deeper nods in the film, enhancing my viewing experience.
There’s that adage — “Don’t meet your idols.” Was working with Ajith intimidating?
Not in the least. It was quite the opposite; I was truly in awe of him. It was refreshing to see not just an amazing actor but a genuinely humble person. Even though I only had a brief interaction with him, it was special.
Was Ajith surprised by the craziness of GBU — the songs, the fan service?
Not particularly. I gathered that he trusted Adhik completely, allowing him the creative freedom to explore his vision, which is part of what makes Ajith who he is.
You became instantly famous because of that one viral moment. Has that been a blessing or a burden?
It has been both. While it provided me with recognition, it also brought some negativity. Some individuals felt it was unjust, considering how hard others work for years to achieve recognition. However, it also gave me an excellent platform, for which I am thankful.
Has it been hard to move past the “wink girl” image?
Yes, I anticipated that it would be a challenge. I knew I had to undertake something significant to shift that narrative — and I believe GBU helped me accomplish that.
Source
www.news18.com