Photo credit: movieweb.com
Françoise Fabian Shines in the Heartfelt Journey of Rose
In her latest film, Rose, veteran French actress Françoise Fabian takes on the role of an elderly widow finding new vitality in her life. As she navigates the complexities of rediscovering joy, her family grapples with their shock and disappointment, revealing the often-overlooked dimensions of older women as vibrant and sensual beings. The film highlights a common societal tendency to view caregivers as mere shadows of their former selves, instead of recognizing the enduring passions and desires that persist even in later years.
The narrative unfolds as the Goldbergs, a deeply religious Jewish family in Paris, gathers to celebrate the 80th birthday of their beloved patriarch, Philippe (played by Bernard Murat). Throughout their 40 years of marriage, Philippe remains smitten with Rose, who amusingly declines his offer to share vodka, knowing well her distaste for alcohol. Meanwhile, the family’s dynamics are put to the test as daughter Sarah (Aure Atika) notices the troubled demeanor of her Orthodox brother, Pierre (Grégory Montel), raising questions about his inner struggles during the festivities.
Rose’s New Experiences
Release Date: January 24, 2025
Runtime: 93 Minutes
Director: Aurélie Saada
Writers: Aurélie Saada
Pros & Cons
The film features a stellar performance from Françoise Fabian, coupled with an aesthetically appealing presentation that provides a thoughtful glimpse into Jewish culture. However, the pacing can feel sluggish at times, and subplots involving other family members may detract from the central narrative.
Despite her initial reluctance, Rose eventually finds herself reluctantly venturing out into the world again, thanks to Sarah’s encouragement. An unexpected reunion with an old friend reveals a lively atmosphere, contrasting sharply with Rose’s earlier isolation. As the evening unfolds with laughter and camaraderie, Rose witnesses the invigorating effects of newfound freedom when Marceline (Michèle Moretti), a spirited older woman, sparks a fun atmosphere with her carefree attitude and joint sharing.
What follows can be viewed through a humorous lens, resembling a cautionary tale about the unexpected adventures awaiting those willing to step outside their comfort zones. As Rose embraces this change, she experiences an awakening, shedding years of emotional restraint while realizing that her own needs and desires merit attention. A pivotal moment unfolds as she joyfully exhales, symbolizing the liberation she has long yearned for.
Aurélie Saada’s direction infuses the film with a dedicated slice-of-life realism, allowing audiences to closely connect with characters as they navigate daily life and intimate gatherings, from birthday celebrations to somber funerals. These moments reveal the gradual evolution of Rose’s character, contrasting starkly with her children’s apprehensions about her emerging independence. Their well-meaning concern reveals their struggle to allow her to reclaim her identity amidst her newfound autonomy.
Age Is Just a Number
However, the film occasionally loses its focus due to the weight of subplots relating to the imperfections of Rose’s children. Their struggles are portrayed as concurrent narratives, highlighting how Rose’s identity is intricately tied to their perceptions of her. The dynamic presents Rose as both a source of strength for her offspring and an individual yearning to break free from the constraints of motherhood, emphasizing that while family bonds are vital, her journey should not solely revolve around their needs.
Françoise Fabian’s captivating screen presence remains undeniable, transitioning seamlessly from grief to a new sense of purpose and joy. The narrative, while it veers into intimate territory, remains grounded and relatable, avoiding melodrama in favor of authenticity. Saada emphasizes the importance of seeking intimacy in all phases of life, reinforcing the idea that the drive for connection does not fade with age but instead evolves.
The film’s visual storytelling captures quintessentially French elements, from delectable pastries to vibrant social gatherings, enhancing the viewer’s experience. Rose also thoughtfully examines Jewish customs and traditions, presenting them without becoming tedious or preachy. Although the pacing may require some patience, the relatable protagonist ensures audience empathy throughout her journey, culminating in a final scene that leaves a lasting impact.
The film is presented in French with English subtitles and is a collaboration between Silex Films, Germaine Films, and France 3 Cinéma. Rose is set for a limited theatrical release on January 24, 2025, followed by a wider distribution courtesy of Cohen Media Group.
Source
movieweb.com