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Last Updated: March 16, 2025, 17:26 IST
Roysten Abel integrates folk, classical, and modern rhythms into his engaging performances, showcasing indigenous percussion from Kerala and Rajasthan.
Roysten Abel shares his thoughts on honoring Zakir Hussain at the Mahindra Percussion Festival, a celebration of Indian percussion, and the unmatched significance of live theatre.
Roysten Abel is known for constructing immersive performances that intertwine tradition with innovative exploration. As a pioneer in Indian theatre and audio storytelling, Abel skillfully navigates the realms of folk, classical, and contemporary forms, always pushing creative boundaries while remaining firmly anchored in the authenticity of each genre.
During the Mahindra Percussion Festival, Abel showcased his latest work, which is an unapologetic tribute to the indigenous rhythms of Kerala and Rajasthan—regions he deeply identifies with. For him, rhythm transcends mere beats; it embodies a vibrant language capable of narrating profound stories. In this intimate interview, he reflects on the importance of paying homage to Zakir Hussain’s legacy, the undeniable impact of live performances, and why genuine artistic inspiration often arises from relinquishing control.
Here are the excerpts:
What does it mean to perform at a festival that not only celebrates percussion but also honors Zakir Hussain’s legacy?
Performing at Mahindra festivals is always a thrilling experience for me. Although I’ve been involved with Mahindra Roots previously, this marks my inaugural appearance at the Mahindra Percussion Festival, and I am eager to participate! I not only look forward to my own performance but also to absorbing the remarkable talents showcased by other artists. My enthusiasm is immense as I prepare for this event.
It’s a somber occasion that we’re convening to honor Zakir Hussain. He had so much more to give; ideally, he would have continued to inspire for another decade and a half. Witnessing the percussion community unite to celebrate the life of someone who brought Indian percussion to the global stage is profoundly moving.
Any tribute to Zakir Hussain will inevitably seem modest compared to the monumental impact he had on percussion. Yet, seeing so many musicians come together to honor his contributions is indeed a beautiful spectacle.
How do you ensure that rhythm remains the focal point of your performance without overshadowing the narrative?
To clarify, this piece wasn’t specifically created for the Mahindra Percussion Festival. It is, in fact, an ongoing project that celebrates the rich variety of indigenous percussion instruments from Kerala and Rajasthan—my two homelands. I regard these instruments and the talented musicians as the true stars of the show, positioning them prominently within the performance. Consequently, percussion naturally occupies a central role.
What unique elements of Indian percussion does your performance delve into, and how do they resonate with Zakir Hussain’s legacy?
This work serves as an authentic homage to the very traditions that shaped it. By participating in this festival, we embody a tribute to Zakir Hussain—merely by taking part and sharing this piece, we honor his memory and influence.
Your collaborations include classical artists, folk musicians, and contemporary performers. How do you create a harmonious blend while maintaining the authenticity of each art form?
My collaborations with artists from diverse backgrounds stem from a fundamental respect for their crafts. When I enter rehearsals, I immerse myself fully in their artistic realm, allowing myself to be swept away. As I engage with their work, it often reveals resonances that I hadn’t anticipated.
Sometimes, the creativity that emerges feels organic, and I find myself simply observing and assembling the elements as they arise, offering gentle guidance when necessary. I never impose my vision on the artists; if I need to, I shouldn’t be working with them in the first place.
As a director, I aim to let the brilliance of these artistic expressions shine through, sharing the light they have offered me with the audience. This is a natural process, evolving as I lose myself in their world, ultimately leading to a cohesive presentation.
Do you perceive younger directors today pushing artistic boundaries in ways similar to your approach? Are there new talents that inspire you?
Absolutely! There are numerous innovative individuals emerging today who approach art from their unique perspectives, distinct from my own.
In the realm of theatre, key figures like Shankar Venkateswaran, Abhishek Majumdar, Amitesh Grover, and Deepan Shivaram are redefining conventions and challenging existing limits in their ways.
Do you think digital platforms like virtual reality or streaming can ever replicate the communal, visceral experience of live theatre? Would you consider exploring these mediums?
I genuinely believe they cannot replicate the tactile experience that live theatre provides—this is especially vital in today’s digital era. Immersion in the performance environment is essential.
The ability to share a collective cathartic moment is paramount. In contrast, digital experiences often feel isolating. The true essence lies in participating in a collective atmosphere where energy merges and creates vibrations that simply cannot be mirrored through screens.
Theatre, like any art form, began as a shared exchange. That shared experience is its core essence, and it is what we yearn to connect with.
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