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Exploring the Depths of Love in Ryan J. Haddad’s “Hold Me in the Water”
“Hold Me in the Water,” a solo play by Ryan J. Haddad, directed by Danny Sharron, recently marked its opening night at Playwrights Horizons. This production dives deep into the emotional currents of first love, showcasing a unique blend of vulnerability and humor.
In this poignant narrative, Ryan embarks on a romantic journey after meeting a new man, only to confront the complexities that arise as their bond strengthens. The play eloquently captures how the joy of new love can stir insecurities, offering audiences a humorous yet tender exploration of intimacy and connection.
Critics have shared their insights on this heartfelt production:
Laura Collins-Hughes of the New York Times highlights Haddad’s inclusive approach, noting his engaging stage presence as he brings both visual descriptions of the set and his own character to life. The production features thoughtful elements like projected supertitles and an atmosphere that encourages audience participation.
Linda Armstrong from Amsterdam News emphasizes Haddad’s honest portrayal of his first sexual encounter, illustrating his raw emotions and the deeper themes of insecurity and longing present in the show. The performance is described as a touching representation of Haddad’s personal journey, detailing both delights and challenges.
Thom Geier for Culture Sauce notes that while Haddad displays his charm and wit, the narrative itself revolves around a fleeting romance. He expresses hope that future works can explore broader themes beyond heartbreak and personal experience.
Allison Considine at New York Theatre Guide praises Haddad’s commanding stage presence and the contrast between his flirtatious demeanor and the profound emotional vulnerability he reveals throughout the performance. This nuance has become a signature of Haddad’s work, as he navigates the challenges faced by individuals with disabilities in the realm of love.
Marc Miller from Talkin’ Broadway remarks on the romantic and comedic elements interwoven in the play, as well as the poignant questions Haddad poses to the audience regarding love and disability, which resonate deeply amidst the charm of his character.
Jonathan Mandell at New York Theater critiques the one-dimensional portrayal of Ryan’s romantic interest, suggesting that the lack of detail about the love interest makes the romance feel somewhat superficial, prompting reflections on the nature of emotional connection and understanding.
Melissa Rose Bernardo of New York Stage Review invites the audience into the intimacy of the relationship, sharing the excitement and anxieties experienced during the early stages of dating. She emphasizes the thought-provoking questions that arise about the capacity for love across different experiences and backgrounds.
Tulis McCall at Front Row Center lauds Haddad’s minimalist script and the enchanting magic it creates throughout the performance. The production is described as a masterclass in storytelling, leaving the audience captivated from start to finish.
Average Rating:
82.5%
.
Source
www.broadwayworld.com