Photo credit: www.bustle.com
In the landscape of contemporary Broadway, where myriad productions explore historical narratives and iconic figures, JOB sets itself apart by shedding light on the everyday lives of office workers. This poignant drama delves into the psyche of those trapped in high-pressure jobs, grappling with the quest for meaning amidst the monotony of their routines. In this production, Sydney Lemmon portrays an intense and fast-talking protagonist who embodies the struggles of these workers, balancing between overstimulation and exhaustion.
Lemmon’s role in JOB marks a significant shift from her previous acting ventures, which include appearances in Marvel’s Helstrom and the AMC series Fear the Walking Dead. However, this performance serves as her second stint on Broadway, following her debut in 2018’s The Parisian Woman alongside Uma Thurman, and has proven to be a transformative experience.
“I was desperately seeking a role that would deeply challenge me,” Lemmon shared in an interview with Bustle. Within this narrative, she adopts the character of Jane, a tech support specialist whose job becomes a source of pride, even as the pressures lead her to a dramatic confrontation involving her therapist, played by Peter Friedman. Despite Jane’s darker tendencies, Lemmon manages to infuse her character with a quirky and neurotic charm, eliciting laughter even in a story that veers into thriller territory.
Penned by Max Wolf Friedlich, this one-act, two-character play unfolds during an intense therapy session. The complex exchanges between Jane and her therapist reveal underlying psychological struggles, challenging both characters to confront their issues in a gripping dialogue that culminates in an unsettling cliffhanger, leaving the audience divided and contemplative.
As JOB approaches the conclusion of its run, Lemmon reflects on her experience and opts to keep the ending a mystery. “I want to maintain the intrigue for the audience. It’s essential to preserve the suspense,” she cryptically remarks.
In a recent discussion, Lemmon shared insights into her unique pre-show routines, nightly pizza preferences, and her methods for relaxation.
On her quirky pre-show superstitions:
Prior to each performance, Lemmon and her colleagues engage in a peculiar ritual backstage. “When we conduct our safety check with JJ, the props master, and Chris, the stage manager, we all do squats together. This started during the previews when I was overwhelmed with adrenaline, and they joined in. Now, it’s an essential pre-show activity, even if we all groan about it,” she explained, humorously hinting at the superstition surrounding their ritual.
On her daily routine:
Lemmon admits to a simple yet steady dietary habit while at the theater. “I rely on UberEats for pizza every day — typically just cheese or cheese and pepperoni. I prefer to keep it classic and uncomplicated,” she revealed.
On her lazy days off:
During her days off, Lemmon allows herself to unwind completely. “I often spend time ordering food, indulging in light television, and embracing moments of relaxation. Sometimes I’ll catch up with friends and family or try to squeeze in a walk,” she shared, noting the importance of balance in her schedule. “I attended a couple of screenings last weekend at the New York Film Festival, which was refreshing.”
On her pre-show playlist:
Lemmon’s musical taste varies, as she immerses herself in new tracks and favorite artists. “I’ve been obsessed with a fresh release by Rahim Redcar, formerly known as Christine and the Queens. It’s titled ‘Deep Holes,’ and it’s incredible. I also enjoy listening to Mahne Frame, alongside classics from Laura Marling, Madonna, and Bruce Springsteen, particularly the Nebraska album,” she commented, reflecting on how music influences her creative mindset.
On her favorite way to relax:
Baths are a key element of Lemmon’s relaxation routine. “Taking salt baths is essential for me; it helps my muscles unwind, which is vital for my voice,” she explained. “Considering that our voice is a direct connection to our emotions and spirits, maintaining physical relaxation is crucial.”
On handling flubs:
Performing in a two-person play presents its challenges, especially during extended runs. “Mistakes happen, especially in performances this lengthy. I owe a lot to Peter for fostering an atmosphere where we can trust each other to recover from any mishaps,” she noted. “There are instances where I’ve completely blanked out, unsure of what comes next.”
On getting out of character:
After the show, Lemmon has a particular way of transitioning back to her personal life. “There’s a three-flight staircase I ascend to return to my dressing room, and I use that time to mentally decompress. It becomes a mini ceremony marking the end of my performance, allowing me to shift back into my everyday self as I change out of my costume,” she detailed.
This interview has been edited and condensed for clarity.
Source
www.bustle.com