Photo credit: www.broadwayworld.com
The Great Gatsby: A New Musical in London’s West End
The West End is currently showcasing a new musical adaptation of F. Scott Fitzgerald’s iconic novel, *The Great Gatsby*, now playing at the prestigious London Coliseum.
In the role of the enigmatic millionaire Jay Gatsby is Jamie Muscato, known for his recent work in *Moulin Rouge! The Musical*. He is joined by Frances Mayli McCann as Daisy Buchanan, Corbin Bleu from *High School Musical* as Nick Carraway, and Amber Davies, who plays Jordan Baker. The cast also features Joel Montague as George Wilson, John Owen-Jones as Meyer Wolfsheim, Jon Robyns portraying Tom Buchanan, and Rachel Tucker as Myrtle Wilson.
The ensemble cast includes talented performers such as George Crawford, Jordan Crouch, Kiara Dario, and many others who contribute to the vibrant depiction of this Jazz Age story. With swings like Liv Alexander and Taylor Alman, the production ensures a rich theatrical experience for every performance.
At the heart of the musical is Jay Gatsby, a man who throws extravagant parties but remains isolated in his pursuit of reconnecting with his lost love, Daisy Buchanan—a figure from his past before wealth changed everything.
The show boasts a script by Kait Kerrigan, a recipient of the Jonathan Larson Grant, alongside music and lyrics from Tony Award-nominated duo Jason Howland and Nathan Tysen. Directing the production is Marc Bruni, also an award winner, while choreography is led by Dominique Kelley. The scenic and projection design, worthy of Outer Critics Circle accolades, is crafted by Paul Tate dePoo III, and the costumes are designed by Tony Award winner Linda Cho.
Reactions from critics have varied widely. Laurie Yule from The Stage notes that while literary purists may not be satisfied, the overall visual appeal and strong performances could win over a general audience. In contrast, Arifa Akbar from The Guardian characterizes the production as overly extravagant, suggesting it lacks the heartfelt essence of the original story.
Alun Hood from WhatsOnStage describes *The Great Gatsby* as missing both the critical depth of Fitzgerald’s narrative and the uplifting spirit often found in successful musicals, while highlighting its superficial entertainment value. On the other hand, Jenny Ell from West End Best Friend calls it a “lavish spectacle,” inviting audiences to be part of this dramatic event.
Daz Gale from All That Dazzles views it as a standout production, encouraging viewers not to miss out on the engaging experience it offers. Clive Barnes from The Times notes the difficulty for actors like Rachel Tucker in portraying complex characters, suggesting that while the songs deepen in poignancy, they also signal a tonal shift towards melancholy.
Overall, Antonia Georgiou from The Upcoming praises the musical for its remarkable artistry, proficient performances, and vibrant choreography, making it a highlight for those passionate about musical theater. Ian Bowkett from Musical Theatre Review mentions the high production values, suggesting the show sets a benchmark for future glamorous musicals, captivating its audience for the entire performance duration.
Theatre & Tonic shares a positive take, declaring the musical a full-throttle experience filled with spectacular moments that contribute to an enjoyable viewing.
Average Rating: 72.2%
Source
www.broadwayworld.com