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Time Bandits Review: A Tale of Medieval Constraints

Photo credit: www.tvfanatic.com

Critic’s Rating: 2.5 / 5.0

2.5

Apple TV+’s Time Bandits suggests that simply repackaging historical narratives can lead to a sense of ennui.

The series delves into the Middle Ages and the late 1920s, specifically during the Prohibition era. Both periods, while distinct, are marked by their own kinds of excitement.

A common lesson from studying history is the notion that, aside from technological progress, much remains unchanged over the centuries.

The Prohibition era often emerges as a retread of Medieval times, swapping swords for Tommy guns and illustrating how perceived advancements can mask underlying similarities.

Much like changing the wallpaper on a phone without altering the device itself, Time Bandits offers a fresh look but retains its core identity. Taika Waititi’s take on the Harlem Prohibition era may possess aesthetic charm, but it continues to present the familiar style of Time Bandits.

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Apple’s Notable Cinematography and Attention to Detail

Apple’s investment in its productions is palpable, as showcased by the elaborate and intricately designed sets. The visual storytelling is so compelling that, even without prior knowledge of the episode titles, viewers can easily discern the time periods depicted.

The contrast between the drab clothing of Medieval peasants and the snazzy pinstripe suits of the 1920s is executed with precision, enhancing the viewing experience.

While the aesthetics echo the original Time Bandits, the clarity and richness of modern visuals stand out within the narrative.

As Penelope and her group tumble into a peasant’s dwelling, the anticipated themes of superstition and misguided beliefs become clear, painting a picture that feels more aligned with Hollywood’s historical interpretations than an accurate portrayal of the Middle Ages.

As for the Prohibition era explored in the fourth episode, an omnipresent jazz vibe is palpable, influencing the atmosphere even without explicit sound.

It’s evident that Apple TV+ prioritizes detail in storytelling, and Time Bandits is no exception.

An Overview of Time Bandits’ Middle Ages Segment

Each episode is surprisingly brief, particularly when compared to some of Apple TV+’s more elaborate series, like Severance.

This results in a rapid-paced exploration of Europe’s medieval past, a factor that diminishes the overall narrative weight.

Some transitions seem rushed and could benefit from more polish. A notable mistake occurs when a character discards their weapon only to be seen carrying it moments later, reminiscent of the infamous coffee cup gaffe from Game of Thrones.

Fans of Waititi’s unique comedic style may recognize that his humor is both prevalent and somewhat overwhelming in this series. Although there’s merit in his approach, it risks overstaying its welcome.

The formula remains consistent: the Time Bandits arrive in a new setting, chaos ensues, and they manage to escape the mess they’ve created.

Exploring Prohibition Era Harlem

The Time Bandits struggle to blend in, even amidst the themed parties of the Prohibition era, revealing the characters’ overarching cluelessness regarding money and commerce.

Utilizing their time-travel abilities could allow the bandits to bring honey-fertilized mead from the Medieval period into the thriving economy of 1920s America, presenting a potentially lucrative scenario.

This convenience in plot mechanics often feels contrived. The portal, which previously appeared without predictability, conveniently sticks around just when the characters need it.

One humorous moment involves a gangster drinking from a bottle, where the audio cue feels overly obvious, drawing attention for all the wrong reasons.

The narrative in this segment mirrors that of previous episodes, with the bandits orchestrating another chaotic situation from which they somehow escape.

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Time Bandits Tips Its Hand

By the conclusion of Episode 4, the plot trajectory becomes apparent. The Supreme Being’s desire to reboot his creation suggests a clear conflict, setting the stage for future developments.

This foreshadows questions of morality and the nature of good versus evil, despite the show’s criticism of humanity’s follies.

Kevin’s odd method of carrying his deceased parents illustrates a poignant aspect of his character development, prompting reflections on past grievances and family dynamics.

Waititi’s version takes the narrative in a direction the original did not, elevating Kevin’s sister Saffron into the storyline and offering a glimmer of hope regarding character growth.

While these alterations may bring new life to a somewhat predictable conclusion, they also signify a shift in focus from Kevin and the bandits’ escapades.

Character Utilization Issues

Key characters like Penelope, Kevin, and Bittileg receive adequate attention, but Judy’s presence remains minimal, reducing her character to little more than an afterthought.

Her sparse dialogues evoke the impression of an obligatory inclusion rather than a fully fleshed-out character, failing to capitalize on her potential as an emotional empath.

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Alto’s subplot also leaves much to be desired, lacking depth and emotional engagement.

In Conclusion

Episodes 3 and 4 of Time Bandits offer a mildly entertaining experience, clocking in at around 36 minutes each. While they are not inherently poor, they do lack a certain zest that could enhance their appeal.

The visual quality remains high, with impressive effects and realistic CG characters, such as a pterosaur featured in episode 3.

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The artistry is commendable, though some characters remain enigmatic, lacking sufficient backstory to resonate deeply with viewers.

As the story progresses, viewers are left questioning the motivations and histories of the bandits, suggesting that while the series has made strides from its initial episodes, it still has room for improvement.

With six episodes left in the season, there’s hope that Time Bandits will find its footing and deliver a more engaging narrative moving forward.

Source
www.tvfanatic.com

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