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Varian Johnson is known for his engaging novels aimed at children and teens, including titles like The Parker Inheritance, which garnered both the Coretta Scott King Author Honor and the Boston Globe-Horn Book Honor awards, along with The Great Greene Heist and the graphic novel Twins, co-created with Shannon Wright. His upcoming picture book, Little Big Man, is set for release in May, featuring illustrations by Reggie Brown, known for his work on picture books such as Santa in the City, Tacko Fall: To New Heights, and the chapter book series The Magnificent Makers. In this conversation, Johnson and Brown shed light on their collaboration, the essence of Black joy, and the bonds between fathers and sons.
Varian Johnson: I’m genuinely excited that we collaborated on Little Big Man! The inspiration came from my experiences with my father and daughters, emphasizing the balance between work and leisure. I’m curious—what made you choose to illustrate this book?
Reggie Brown: The manuscript resonated deeply with me. It reminded me of my childhood with a Navy father who was often away. I still remember how I counted the days until he returned—this story encapsulates that sentiment, and I felt compelled to be involved.
Johnson: My dad worked constantly, largely because it was a family business, meaning we all shared the workload. As a child, I often found chores around the flower shop tedious, yet now I recognize how fortunate I was to spend that time with him.
While writing Little Big Man, I didn’t have a clear visual in mind for Elijah and his father. Now that I’ve seen your illustrations, I can’t picture them any other way. How did you conceptualize their appearances? Were they inspired by anyone specific?
Brown: They’re not modeled after any single individual; rather, they are a blend of various people and family influences. I aimed for Elijah and his dad to look fantastic together, even as they maintain their own distinct styles.
Elijah features a round, gentle appearance: big hair, plump cheeks, and an endearing face that exudes innocence. By contrast, his father possesses sharp angles, robust features, and a solid physique, exuding strength and reliability.
Both characters are Black, so I made sure their looks and hairstyles authentically represented that. Elijah sports a fun, lively haircut that matches his spirited nature, while his dad’s neat and clean style reflects his hardworking character. Despite his tough exterior, he is a nurturing figure within the family.
Johnson: And I really appreciate his boots!
Your portrayal of Elijah’s father strikes a wonderful balance, steering clear of traditional masculine stereotypes. He not only fulfills his role outside the home but also participates in domestic duties, from cooking to caring for the baby.
His tenderness towards Elijah is heartwarming—holding his hand, giving goodnight kisses, and patiently guiding him through chores enriches Elijah’s reverence for him.
I have many favorite images in the book, but one that stands out is the scene where Elijah and his dad brush their teeth in the bathroom—it resembles my own bathroom counter at home.
Do you have a favorite illustration from the book?
Brown: Choosing a favorite spread feels nearly impossible! However, if I must pick, I’d go with pages 24 and 25. I love how they are positioned on opposite sides, yet their body language and activities are in perfect harmony. It was a joy to create and draw, and it always brings a smile to my face!
You have so many story concepts, but do you see yourself developing a sequel to Little Big Man?
Johnson: I generally avoid fixating on sequels while writing, but I often ponder the characters’ futures after completing a story. It could be fascinating to explore a narrative involving Elijah and his mother or possibly Elijah and the baby. But a more intriguing question is: if I wrote another tale featuring Elijah, would you be interested in illustrating it?
Brown: Absolutely! I cherish Elijah and his family! Bringing them to life is such a delight, and with every illustration, I feel I come to know them better. Their dynamic is special, and I’d love to depict them again and explore more moments in their lives.
Honestly, I’d be excited to work on any story you create, Varian! Each project has its unique charm, and I thrive on the challenge of capturing its essence through my artwork. The heartfelt stories you craft are what motivate me to bring them to life through my illustrations.
Johnson: Alright… let’s dive in!
Little Big Man by Varian Johnson, illustrated by Reggie Brown. Orchard, $18.99 May 6 ISBN 978-1-338-80743-1
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